Interpretation and Theology in Spenser

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William Michael Rossetti, left-wing in both political and religious beliefs, thus argued against allegorical art, because "the tendencies of the age are — we will not say material, but eminently positive," and practical men in the age of Victoria dislike older symbolism and iconography which does not speak to them: "The motto of the practical man, 'Facts and Figures,' may be made to serve his turn as well for pictures as for blue-books; but he is as far from understanding the 'figures' to mean a figurative rendering in the one as figures of speech in the other" ("The Externals of Sacred Art," Crayon, 5 (1858), 334.) It is no coincidence that Rossetti should have chosen as his representative man the reader of parliamentary blue-books, the weapons of the Benthamite political reformer, while Atkinson should have attacked that reformer's credo of the greatest happiness for the greatest number.

Pages: 288

Publisher: Cambridge University Press (September 26, 2005)

ISBN: 0521020298

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